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The New Aesthetics of Cinematic Verticality 

"It is my desire to intone the hymn of the male, the strong, the virile, active, vertical composition!"

                                                            Sergei Eisenstein, 1930

Exploring new possibilities of cinematic storytelling in vertical filmmaking, not following conventional Academic Ratio that has been standardized in 1932 by Hollywood for economic concerns, not aesthetic interests. 

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